16.29%

The film festival buzz about All The King’s Men appears to be true, given the ratings on Rotten Tomatoes. Hard to believe, given the incredible cast.

.:.

The new Bonnie Prince Billy disc, though, is getting good reviews.

.:.

I was going to write something about the whole Muslim-anger-over-papal-statements controversy, but my brother wrote pretty much the same thing I was planning to write. I’m not one to defend the pope, but I don’t think he’s the one in the wrong here.

.:.

OK, off to day 2 of international business.

[tags]all the king’s men, bonnie prince billy, muslim anger at pope[/tags]

Kokomo? Seriously?

The coffee shop on the ground floor of my building, which I have to walk by to get outside, often pipes in music from some godawful radio station or another, and whatever song they’re playing inevitably gets stuck in my head. Today it was particularly insidious: “Kokomo” by the Beach Boys. I practically ran back to my desk, jammed my headphones in my ears and hit play. My Nomad faithfully served up a couple of good tunes to blast that 80s shit out of my head: “Many Lives -> 49mp” by Final Fantasy and “Alright Alright” by Sahara Hotnights.

Whew.

[tags]beach boys, final fantasy, sahara hotnights[/tags]

Kurt Cobain: About A Son (9/10)

Tonight we watched the world premiere of Kurt Cobain: About A Son (tiff | imdb | myspace), and it wasn’t at all what I expected. I guess I didn’t read the description that closely, because I expected a straightforward documentary. It was anything but.

The film, directed by A.J. Schnack, consisted of three threads: extensive audio interviews between Kurt Cobain and writer Michael Azerrad, footage filmed in the towns where Kurt spent his life, and music (some original score, some licensed songs…though no Nirvana songs) by Steve Fisk (who produced some of Nirvana’s music) and Ben Gibbard (of Death Cab For Cutie). There’s little question as to whether an audience would find audio interviews with Kurt Cobain compelling, and it’s safe to assume that two gentlemen with the pedigree of Fisk and Gibbard would produce a memorable soundtrack (and they did; the songs they picked and the score they used to tie it together — and especially to end the film — were perfect), but the real key was the cinematography. Creating visuals that could pull the reader along on the thread of Kurt’s words, or that could create beauty of their own, was the only way to make this format work, and Wyatt Toll did it perfectly. The time lapse footage, the waterways and lumberyards of Aberdeen and Olympia, the faces of students at his old high school, the still photos of Kurt by Charles Peterson…there was no break, no let down, no lapse in attention for the whole 96 minutes.

Schnack was very emotional as he introduced the film, but he needn’t have been. It was nearly perfect. In the Q&A after the film Azerrad said it felt like closure to share the interviews with us, after losing Kurt more than a decade ago. It felt that way for a lot of us tonight.

[tags]tiff, toronto international film festival, kurt cobain about a son[/tags]

non-TIFFness

Hey…there’s shit going on in the world not related to the film festival. Huh. I wasn’t aware.

For example, the pope has been trashing Canada, scolding us for having the audacity to “exclude God from the public sphere.” I would counter by saying that the pope should really exclude his head from his own ass.

Then there’s the sad news that The Rheostatics are breaking up. I can hear M2 weeping from here. Even more than the Tragically Hip, the Rheos are the quintessentially Canadian band. I’ll miss their annual and epic fall/winter nationals at the Horseshoe.

.:.

I finished watching a (non-TIFF) documentary this morning called Twist Of Faith (imdb | rotten tomatoes). A 30-something firefighter from Toledo, OH finally opens up about the abuse he suffered at the hands of his priest twenty years earlier, and the betrayal he feels by the church he still tries to love, and Kirby Dirk takes us along. You see Tony Comes try to deal with what happened, explain things to his 9-year-old daughter, fight to save his own marriage, wrestle with whether or not to attend his daughter’s first communion, and deal with the shock of moving into a new house only to discover that the abusive priest lives five doors away. He also discovers resentment from his friends about his decision to sue the diocese, his mother’s divided loyalty between her son and her church, and deceit from the various church officials who lie about the number of accusations over the years. Tony Comes was a time bomb, and the documentary captures a sample of the inevitable eruption.

.:.

OK, I can’t let a post go by without something about the festival. As much as I love the TIFF, there are unsavoury parts. As far as I can tell there are four main species of people who attend the festival:

  1. The folks who buy tickets for a few movies…maybe 2, maybe 5, maybe even 8-10 (if they get, say, the Visa Screening Room package). They know the quality of the films, or even the festival itself, and they want to watch a few good flicks and take part in the atmosphere that’s created in downtown Toronto for 10 days. This is basically how we started out: slowly eased into it and fell in love with it.
  2. The fans who go hard. They book anywhere from 10 to 50 movies and take time off work, sometimes even travelling to Toronto just to attend. They may be fans of a particular genre, or they may be generalists. These are the poor tired bastards you see in line, looking around frantically for a Starbucks to get one last espresso shot before heading into the Midnight Madness rush line. They’re the heart of the festival.
  3. The press and industry people. Sometimes they’re enthusiastic critics, sometimes they’re wanks on their cell phones looking for a deal or wondering why other people don’t seem to realize how famous they are. Those two groups don’t really mix — the film-loving critics have more in common with group #2 than with the industry wanks — but they all have special badges and special lineups, so it’s easier to classify them this way.
  4. The lowest form of life at the festival: the starfuckers and autograph seekers. The thirty year old little girls who go into hysterics at the sight of Brad Pitt. The losers who stake out the back entrance of the theatre because getting someone’s autograph is more important than watching their movie. The poseurs who yell into their cell phones, requesting entry to tonight’s after-party while applying more product to their hair or adjusting their Gucci sunglasses. The celebrity gossip reporters on the constant, urgent hunt for more boldface.

The first three groups are what make the festival endearing and worthwhile. The last group is just a necessary evil.

[tags]pope vs. canada, rheostatics, twist of faith, tony comes, tiff species[/tags]

Only skin

The new Joanna Newsom album Ys is like her last one: maddeningly compelling. I don’t want to like music which sounds like it was written by J.R.R. Tolkien and sung by the genetic offspring of Bjork and Yeardley Smith, but I do. The line in “Monkey & Bear” that goes “But Ursula we got to eat something” is just…bone-chilling somehow. I don’t know…it’s like there’s someone telling a story over in the corner that I’m not really paying attention to, but part of me knows that the story’s fascinating.

.:.

This is the first night in a long time that I haven’t to do some kind of work. No school work to do tonight, no film festival stuff to plan, no pressing errands…I had time to go for a run, read through all my feeds, blog a hundred things and now I think I’ll watch an episode of Deadwood, or read some more of the Philip Roth book I started this morning (The Plot Against America). Aaaaaaah.

I guess all that hard work from a few weeks ago paid off, though. I got 88% on the term paper, which I’m pretty happy with. I’m one of those guys who’s happy with pass + 1%, so (in the immortal words of my brother Andrew) everything more than that’s just gravy.

[tags]joanna newsom, bjork, yeardley smith, philip roth, leisure time[/tags]

My newest hero: Banksy

Banksy (a London graffiti artist) has performed a bit of guerilla deliciousness with some fake Paris Hilton (is that redundant?) CDs in London music shops.

From the Globe and Mail: Record chain HMV said Sunday it had pulled from shelves several copies of Hilton’s Paris album that appeared to have been doctored by British graffiti artist and prankster Banksy.

The doctored version includes a topless image of the celebrity heiress, as well as a picture in which she sports the head of a dog. A sticker advertises the album’s “hits” — Why Am I Famous? What Have I Done? and What Am I For?

The AOL indie (is that an oxymoron?) music blog has more, including some NSFW pictures.

[tags]banksy, paris hilton[/tags]

Mediocre modern times

I’m not a big fan of the new Bob Dylan disc Modern Times. I certainly seem to be in the minority, and my own brother may disown me, but I only liked 4 of the songs (one of which was a cover). I just can’t get into mellower, jazzier, adult-contemporary-sounding stuff. The bluesy numbers, I’m all over; “Thunder On The Mountain”, “The Levee’s Gonna Break” and “Someday Baby” are great songs, and “Rollin’ And Tumblin'” is an adequate cover, but the rest just doesn’t do anything for me. It’s not bad music; it’s just not something I’d choose to listen to.

[tags]bob dylan, modern times[/tags]

Am I missing the goat? I mean boat?

The new Black Keys disc Magic Potion is very good. If you’re a fan of chunky, fuzzy blues/rock, you’ll like this.

I just can’t get into the new Mountain Goats disc Get Lonely. In general, I’m a little hot and cold on the band…actually, that’s not true. I’m more cold than hot. A lot more. This new disc is no different…despite all the love it’s getting, it just all sounds blah and meh to me.

[tags]black keys – magic potion, mountain goats – get lonely[/tags]

Coniption fit

In the summer of 1992 (I think…it might’ve been 1991) my friend Adam and I attended a rock music camp in Halifax. It was called Summer Rock, and lasted two weeks. I think they made it into a CBC TV show a few years ago. Anyway, we crashed on the floor of my oldest brother, TimmyD, who was attending TUNS (now called DalTech) at the time. The rock camp itself was…meh. The most interesting thing about it was that another bunch of teenagers calling themselves Thrush Hermit were there. It was weird to see them get a record deal long after I’d sold my drums for tuition money.

Two great things happened on that trip though:

First, it felt like the first time my oldest brother and I really hung out. He’s 6 years older than I, and when you’re a teenager your little kid brother isn’t who you hang out with. But I guess that summer when I was 16 or 17 I was a little less annoying or a little more interesting to be around, and we just hung out one weekend when Adam was away…we went to see Terminator 2 at the Park Lane theatre, went to his old computer lab at St. Mary’s and played computer games against each other from across the room (which was pretty killer technology at the time)…it all seemed pretty cool to a deeply uncool kid.

Second, Adam had his acoustic guitar at my brother’s place (I couldn’t carry my drums around with me, obviously, so I left them at the school where the camp was held). One night, for some reason, Tim decided to write some lyrics and pulled out a harmonica, and an impromptu jam session broke out in the tiny apartment on Tobin Street. At the time I used to carry around a little hand-held tape recorder, which Adam and I were constantly recording stuff on, and I left it running for most of the night. I couldn’t do much but throw in the occasional leg-slapping beat if the song called for it, but Tim & Adam turned out some truly…remarkable stuff. And by remarkable, I mean batshit insane. One song was described as “freestyle open-verse nebulous note lyrical associative disenchanted lyricism”, another was a country stomp, and there was even an attempt at Bee-Gees style disco. I caught everything on tape, and labeled the tape “Coniption Fit”. Yes, I know now that I misspelled “conniption”.

Adam and I went back to work on my Dad’s farm that summer after the camp, bringing the tape back with us, and listening to it almost daily as we descended into fits of laughter. That was our last summer working together, I think, and we soon graduated from high school and went our separate. From then on, as a matter of course, after each year or before each big move, I would throw out anything that I didn’t use or care about, but I always kept that tape. I kept it through four years at Dalhousie, then brought it to Toronto, to three different apartments, even after I no longer had anything that could play tapes, always meaning to convert it to CD (or, more recently, MP3). I never got around to it.

Then, last month, when my other brother was visiting, he mentioned that he could do it for me. I handed over the tape, and not long after he sent the converted wav file. I listened to it a few days ago, for the first time in years, and felt 16 again. Not that I enjoyed being 16; I disliked it intensely. But the memory of those two weeks is one of my happiest.

So thanks, Tim & Adam, for making something so hilarious with me in the room. Thanks, Andrew, for rescuing it for me. Here’s to friends and brothers, and better yet, the combination of the two.

[tags]brothers, friends, summer rock, halifax, dalhousie, coniption fit[/tags]

Sweedeedee

Madonna reminds me of a little kid, the kind who can’t stand not getting attention. So when no one’s spending much time thinking about her, she just does something naughty, like kissing a black Jesus, simulating masturbation in the Skydome, or — her latest — performing a mock crucifiction.

The press, silly bastards, keep falling for it…for now, anyway; at some point they’ll realize what the rest of us have: that Madonna’s all used up and hasn’t released a decent album since William Orbit made one for her.

.:.

The Modern Mod sent me Cat Power‘s Covers Record today as I had nothing else to listen to. Halfway through the first listen I bought it legal-like; the cover of “Kingsport Town” alone was worth the eMusic download.

[tags]madonna, cat power[/tags]