bloody shattered sunday glass

Watched two movies (from Zip) in the last few days:

  • Bloody Sunday (imdb | rotten tomatoes | buy it) was a brilliant piece of work. It almost convinced me it was a documentary, it felt so realistic…everything was digital, filmed on a handheld, with no artificial lighting, untrained actors, the actual location of the march…it felt so authentic. It was simply a great piece of filmmaking, whatever you might think of the story (I was personally quite moved, but the movie clearly has an agenda). Highly, highly recommended.
  • Shattered Glass (imdb | rotten tomatoes | buy it) was also very good. I knew the story behind it, as would most anyone who paid attention when it broke, but to see the office politics and personality conflicts and professional rivalry come out to the viewer was a lot of fun. Really, the movie is as much about how people operate in an office environment as it is about professionalism or journalism. Hayden Christensen was surprisingly good, as was Hank Azaria in a smaller part. He so often plays the comic character (America’s Sweethearts) or the dope (Quiz Show) that to see him play a well-respected, charismatic editor gave me new respect for him.

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From the CBC: Police want 25-cent surcharge on phone bills to fund wiretaps

Last Updated Mon, 16 Aug 2004 11:02:29 EDT
OTTAWA – The Canadian Association of Chiefs of Police wants every phone and internet customer in the country to pay a surcharge of 25 cents a month to help cover the cost of eavesdropping on criminals.

The money would boost police coffers in the face of an increasing number of expensive court-approved wiretaps on drug suspects, money launderers and potential terrorists.

Police are eager to use new technology to find and help convict wrongdoers, but they warn investigations will suffer if individual police forces are required to pay for telecommunications access and surveillance.

“This is a very, very serious issue for us. It has a potential for really paralyzing operations,” Supt. Tom Grue, a member of the association’s law amendments committee, told the Canadian Press.

Grue, of the Edmonton police force, compares the measure to the current 25-cent to 50-cent surcharge that supports the 911 emergency service.

But Bell Canada doesn’t think customers should have to pay for crime investigations in that manner. The country’s largest phone company wants to split the cost between the police and the service providers and leave average Canadians out of the equation.

“I don’t know how popular that’s going to be, something like that,” said spokeswoman Jacqueline Michelis. “Twenty-five cents is a really significant amount to add to everybody’s phone bill.”

She pointed out that Bell Canada has spent “millions of dollars” on new technology to improve the quality of wiretaps, in line with looming changes in federal legislation.

Michelis said Bell Canada isn’t looking for police forces to compensate it for that infrastructure investment, but should be able to charge agencies like the RCMP and the Canadian Security Intelligence Service for day-to-day services associated with phone-line monitoring.

Grue said police forces shouldn’t have to pay any of the cost.

“From our perspective, it’s a very slippery slope to start paying for the execution of search warrants or any kind of a court order,” he said.

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OK, first the pipe bombs outside my window, and now an armed robbery on my street. I seem to be paying an awful lot of rent to be living in Hell’s Kitchen…

From The Globe and Mail

Jewellery dealers robbed near Yonge and Bloor
By Jeff Gray
Friday, August 13, 2004 – Page A8

Three jewellery dealers from Singapore were robbed at knifepoint in a daring daylight operation near Yonge and Bloor Streets on Wednesday, police say.

Around 4:30 p.m. the men, who had been exhibited their wares at a jewellery show, were waiting for a cab with their luggage, which police say contained a “substantial” amount of jewellery.

A van pulled up, and three thieves wielding knives jumped out and ordered their victims to crouch down and cover their faces. The robbers then grabbed the luggage and sped off. No one was injured. No description of the thieves was available.

We haven't come that far from Robbie Alomar stammering "Catch da taste!".

From the CBC: Raised Italian
CBC News Viewpoint | August 10, 2004

For the past several months I have endured a pain so insufferable that it can only be described as cruel and unusual punishment. This pain is caused by none other than the McCain’s “Crescendo Rising Crust Pizza” TV ads.

The ads try to emphasize the “rising” crust of the pizza by featuring kids who have been “raised” Italian. The premise: the authenticity of these Italian teens will somehow prove the “Italian-ness” of the pizza.

Even if we agree that McCain’s makes bad ads – low budget and downright annoying – these raised crust/raised Italian ads represent a new level of ridiculousness in marketing.

One ad features teens sitting around a pool, and the announcer poses a question: “So, what’s it like to be raised Italian?” None of them can put together a coherent answer. One says, “Ya know, being Italian is like…being Italian.” Another says, “It’s like the way we talk with our hands.” Oh yes, this is doing wonders for Italian stereotypes. Not to mention, wonders for the image of a high school education.

In another ad, a younger girl mimics her parents’ accents while they discuss her boy-craziness. All the while she indulges in a slice of Crescendo pizza. Perhaps I missed the part in my social studies class when they highlight the link between being boy crazy, being Italian, and eating pizza.

Frances Ciccia is a young Italian, and she doesn’t see herself reflected in the ads. “Those ads are hilarious and sad at the same time. They always show Italians as greasy, uneducated and talking with their hands – that’s not what we are. And I doubt any of those kids are Italian. Those accents and hand gestures are so fake. It’s scripted.”

Even if those actors really are Italian, I still have this question: does McCain’s really think that Canadians will believe this frozen, factory-produced pizza is going to taste like “authentic” Italian pizza? Whatever “authentic” Italian means. I’m not disputing whether the pizza tastes good – that’s not the point. The point is the ads taste bad.

“It’s easier to identify with these dumb stereotypes but there has to be a better way to sell pizza,” says Ciccia.

These ads reinforce that it’s OK to use stereotyping in advertising. But vendors beware, because you can only make fun of certain communities. And Italians get the worst of it, I’d say, though the Scottish get their fair share, too. I’ve seen Scots screaming about everything from beer to money lending to snack bars. And in the United States, they hold a special place for Mexicans in marketing. I like to call it the “sombrero factor.”

Some may argue that this is a technique to target particular customers. That’s possible. I worked in advertising and we regularly designed ads featuring the ethnic groups that we hoped would buy our client’s products. So, maybe McCain’s is trying to reach out to Italian consumers.

“Do you really think that McCain’s is advertising to Italians with those ads?” asks Rocco Galati, a prominent civil liberties lawyer. Galati says McCain’s is advertising to mainstream Canadians and feeding them a fictional idea of Italians to entertain them. He says, “This is the equivalent of 1960s western movies when white actors put on brown makeup to be Indians.”

He says that being Italian shouldn’t always be equated with pizza. “In my 38 years in Canada, my mother has never made a pizza at home. I’ve never made a pizza at home. Sure, I’ve eaten pizza but it’s not as prevalent to our culture as people think. ‘Italians are pizza’ – that’s what these ads are trying to say.”

But not everyone says the Crescendo ads are all bad. Jason Sordi is the Toronto district president of the National Congress of Italian Canadians. Sordi says that while he’s not jumping up and down for these ads, he’s certainly not complaining.

“For once it’s a positive ad. It’s not mafia-related and it’s not an old grandma wearing black.”

Sordi goes on to say, “Most commercials aren’t very high-brow or intellectual, and given the media’s track record with advertising, this is a step in the right direction. At least this doesn’t associate us solely with Italian organized crime.” Sordi is referring to the ads for Delicio pizza where mob bosses threaten one another in a dispute over pizza delivery. Sordi finds those ads much more damaging, and he’s tired of seeing Italians portrayed in the mafia cliché.

Galati agrees that while the Crescendo ads are dumb and annoying, it’s the Delicio ads that are hurtful. “Those ads are really offensive, they’re criminal. It’s hate propaganda.”

I asked them both if the Italian community has done anything to stop either set of ads. Galati says no. “Most Italians find them offensive, but they laugh it off because it’s just racist foolishness. Italians don’t whine about racism because we don’t expect much to change. It’s a disservice to our community but we don’t waste our time. It may not be the right attitude but it is the prevalent one.”

Sordi explains further, “We haven’t been as forceful as other communities in lobbying against stereotyping. Some people are desensitized to the fact that Italians are even being stereotyped.” Part of the problem, Sordi says, is that Italians themselves are desensitized. “We’ve become so accustomed to the stereotyping that we don’t notice it as much anymore.”

But Sordi says things are changing. As Italians become increasingly part of Canadian mainstream culture he believes advertisers will stop typecasting them.

Whether it’s the irritating suggestions about talking with their hands or tired portraits of Italian mobsters – Italians are still treated like court jesters in North American culture. I agree with Sordi that things are getting better but people must realize that their need to reinforce romantic delusions about Italians is diminishing people’s individuality.

But until then, McCain’s will continue telling us what it’s like to be raised Italian. And I’ll keep praying that McCain’s doesn’t get into the falafel or somosa business.

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From Still Memory: a 360 degree aerial view of Toronto.

I love how, in the shot of the bank towers, you can see them replacing the BMO logo on the south side of First Canadian Place. The logo on the west side (which you can see in the picture) has been replaced, but looking south out my window right now I can see that the old north-facing logo still hasn’t been done.

The AMG survey

I spotted this on chromewaves. I like doing these things. Whee.

My answers:

  • First Record Bought: Rock ’83 (Technically my mother bought it, but it was at my request. The first tape I ever “owned” was either Freezeframe by the J. Geils Band or Abracadabra by Steve Miller. I would’ve been 6 or so)
  • First Concert: The Cult. Sonic Temple tour, at the Moncton Coliseum. Bonham opened.
  • Favourite Music Movie: Bob Dylan 30th Anniversary Tribute concert. Highlights: Johnny Winter, Sinead, The Clancy Brothers
  • Favourite Music Book: Heavier Than Heaven, Charles Cross
  • Favourite Songwriter: Bob Dylan. Or Bob Mould. Or Johnny Cash. Or…frig.
  • Favourite Producer: Can’t say
  • Favourite Record Label: Matador
  • Favourite Magazine: Eye
  • Favourite Bassist: either Georg Holm (Sigur Ros) or Michael James (Explosions In The Sky). I saw Holm play Salka live by striking a drumstick against the strings. James, on the other hand, laid his bass on the stage and beat the crap out of it with a tambourine.
  • Favourite Album Cover: Blink 182, Enema Of The State. Hey, it’s Janine. There are few contests she wouldn’t win.
  • Favourite Teen Idol: I admit to a slight and vaguely illegal crush on Lindsay Lohan
  • Artist Who Broke Your Heart: Jeff Buckley. For the longest time I’d never heard of him, then I discover him, then I find out he’s already dead.
  • Artist You Will Always Believe In: Matthew Good, though god knows why. Really, he’s sucked for years now but I still hold out hope that he’ll reclaim his balls one day.
  • Singer Who Makes Your Skin Crawl: Scott Stapp, Creed
  • Singer Who Makes You Swoon: Neko Case
  • Favourite Sound: Blues, played on the slide guitar
  • Album You Will Always Defend: Rush, 2112. Any album that can paraphrase an entire Ayn Rand novella to music…
  • Album You Own That No One Else Does: A Million Evil Pennies. I used to work with the singer. See also: Jester’s Destiny and Non-Sufficient Funds.
  • Classic Album You Own but Don’t Like: Simon & Garfunkel, Greatest Hits
  • Artist You’re Supposed to Like but Don’t: The Strokes, Franz Ferdinand, The Beatles (I like them, just not as much as I think I’m supposed to)
  • Song You Can’t Stand by an Artist You Like: Black Girlfriend by Porno For Pyros
  • Band That Should Break Up: Red Hot Chili Peppers
  • Band That Should Re-form: Sugar. I’d give anything to hear another album like Copper Blue.
  • Guilty Pleasure: A Very Special Christmas 3
  • Favourite Music DVD: The Last Waltz
  • Concert You Wish You’d Seen: Nirvana…nah,too obvious. Pumpkins, circa 1994.
  • Dream Collaboration: Bob Mould & Frank Black. They could call themselves the legendary bald men. Of course, Bob would have to revert to his Workbook-era stylings, but just imagine it! Alternatively, I’d like to hear Ben Harper do some old folk songs with The Be Good Tanyas…maybe cover a Johnny Cash song.