“Well they’re not moon burns, goddammit.”

While Nellie was away this weekend I managed to squeeze in a few more movies between errands and work: one of last year’s best and a classic I’d somehow never seen.

All Is Lost (imdb | rotten tomatoes) was a showpiece for Robert Redford, and a very different kind of film. It opens with about 60 seconds of monologue, and apart from that there’s probably less than twenty words in the whole script as Redford sails through the Indian Ocean. Redford is the only actor to appear on-screen, though you could make a case for his ship being another character, and for the ocean being the antagonist. It’s remarkable, actually, how much Redford can express with just his face, or his sighs, or a slump of his shoulders, or the length of a look. It was an aquatic, effects-free Gravity, though it still didn’t net Redford an Oscar nomination the way it did for Sandra Bullock, presumably because the Academy didn’t like the thin script — though Redford himself blamed lack of distribution. But for a pure visual experience and a master class in acting, this is hard to beat.

I don’t think I realized how much of Close Encounters Of The Third Kind  (imdb | rotten tomatoes) is embedded in pop culture. I’ve always known that sequence of tones was famous but I guess I never really knew why. Also: MAN, Richard Dreyfus in that era was fantastic.

“Here’s to swimmin’ with bow-legged women.”

I know Narragansett Lager doesn’t have a great rating, and I don’t think I can even buy it in Ontario, but I really want one now. From Fast Company:

From Spuds MacKenzie to Sam Adams, there have been many beer spokesmen over the years, but none of them can beat Quint, the Narragansett chugging shark hunter from Stephen Spielberg’s Jaws. Played by Robert Shaw, Quint was a survivor of the U.S.S. Indianapolis who watched hundreds of his fellow sailors eaten alive by sharks. For sheer manliness, Quint’s the kind of beer spokesperson that makes Dos Equis’s The Most Interesting Man Alive look like a milksop.

So to celebrate both the film’s 29th anniversary and the Fourth of July weekend (when all of Jaws‘s shark attacks happened), the company is re-releasing the beer with the now iconic 1975 can design.

Image from FastCoDesign.com

“Little shakin’, little tenderizin’, an’ down you go.”

Cover photo by Marc Wathieu, used under Creative Commons

“I’m not a vocal coach anymore, but I would make an exception for you because you sound like a squeaky toy.”

I’ve been a Lake Bell fan for a while, but after watching her directorial debut In A World… (imdb | rotten tomatoes) said fandom has gone up a few notches. It’s a great little entrée of a film, sweet and medium light along the same lines as Drinking Buddies, but more witty and less heavy.

Also, one gets the sense that this whole project sprung out of an idea she had for a film about wanting to help girls who sound like sexy babies. And I would watch the hell out of that film.

.:.

Cover photo by Marc Wathieu, used under Creative Commons

Cover photo by 900hp, used under Creative Commons license

“The arrogance of men is thinking nature is in their control and not the other way around.”

We saw Godzilla (imdb | rotten tomatoes) yesterday. The new one, not the classics or the Matthew Broderick abomination from 1998. It was really good. Seriously. I mean, Elizabeth Olsen was completely wasted and Aaron Taylor-Johnson’s character was much too thin, and it pivoted a little too quickly from exposition to outright chaos, but those are minor quibbles. The action and effects were the important part here, and manoman…this might be the first movie I’ve ever watched where my brain didn’t register computer effects. I mean, I know they weren’t actually destroying cities and ships, but I never had that moment where I thought, “Ugh, effects.” Keeping things dark helped, I guess. And the HALO drop scene was as cool as it looked in the trailer.

Plus — and this is important — Godzilla was just badass.

Oh, and people shouldn’t bring their disinterested kids to sold-out movies. Just sayin’.

.:.

Cover photo by 900hp, used under Creative Commons license

Cover photo by Reed, used under Creative Commons license

“We are having dinner! No penises!”

Not sure why I haven’t been writing about these movies, but we’ve watched quite a few lately: Ender’s Game, The Purge, The Hobbit: The Desolation Of Smaug, Oldboy, The Great Gatsby, Killing Them Softly, Knuckle, and Life Of Pi. They were all okay…nothing spectacular. Maybe Oldboy, though it really just made me want to watch the original. Knuckle was like an amazing train wreck. Gatsby was awful.

Hmm. I think I just figured out why I haven’t been writing about them.

.:.

Cover photo by Reed, used under Creative Commons license

Cover photo by John Amos, used under Creative Commons license

Trending down

We used to be really big Hot Docs goers, but in recent years our attendance has dwindled. Between travel and work we’re finding it hard even to fit in five screenings the way we used to. This year we only booked two, and couldn’t even be bothered to go to the first — Love and Terror on the Howling Plains of Nowhere as we’d had a long week and just wanted to watch the Raptors play game 6.

We did manage to get ourselves to one though: the final screening of The Great Invisible, about the aftermath of the Deepwater Horizon oil spill. It focused less on the environmental impact and more on the people involved, from the families of the 11 people killed in the explosion, to survivors suffering from guilt and PTSD, to workers in decimated coastal industries, to oil executives growing rich off the once-again booming oil industry. Because it was the third screening the director wasn’t around to answer questions. Too bad; I wanted to find out more about the highly entertaining and admirable gentleman named Roosevelt.

.:.

Cover photo by John Amos, used under Creative Commons license

Cover photo by Adam Lederer, used under Creative Commons license

“Jesus said that, didn’t he?”

I didn’t get it. American Hustle (imdb | rotten tomatoes), that is. Just…nope. Did not get it.

I mean, it was okay, but it wasn’t great.. And that seems to be the way that most of David O. Russell’s movies land for me. The movies are okay and watchable and all but I never quite get what all the fuss is about. This one was no different.

Oh, and I’ve seen pictures of the 70s. Nobody in those pictures looked as good as Amy Adams or Jennifer Lawrence. Nobody. Stop dressing up the second-worst decade ever.

.:.

Cover photo by Adam Lederer, used under Creative Commons license

Cover photo by cyclonebill, used under Creative Commons license

“I could’ve sworn you were with the FBI.”

The 2013 movie-watching continues:

12 Years A Slave (imdb | rotten tomatoes) was really good, and had superb performances, but despite a 2:14 running time actually felt rushed. It’s such an epic story that it cries out to be longer, especially to help portray the agonizing futility and despair that Solomon must have felt. The film wants to be a 5-hour director’s cut, and I want to watch it.

I found it odd that The Spectacular Now (imdb | rotten tomatoes) ended up near the top of the RT scores from last year, given that it looked like a standard-issue coming-of-age story. It wasn’t, and I’m glad someone’s making something aimed at teenagers that actually makes them think, but I didn’t think it was a 92% movie.

Finally, a 2014 production, and one my wife’s been waiting for: Veronica Mars (imdb | rotten tomatoes). She threw in for the kickstarter fund, so she got to download it on Friday and, after a long week, we drank wine and ate pizza and relived our Veronica Mars years. So, 2005-2007. It wasn’t bad, so long as you watched the TV show; if you didn’t I expect you’d be lost. So you should just watch the TV show, even season 3. It’s worth it.

.:.

Cover photo by cyclonebill, used under Creative Commons license

 

Cover photo by Ralph Daily, used under Creative Commons license

“That can happen, but these guys are mighty pale.”

In the continuing saga of trying to watch the best movies of last year, I watched three top-notch movies in the last week or so:

Muscle Shoals (imdb | rotten tomatoes) was music documentary #1 on my flight to Vegas. Awesome doc about this unlikely epicentre of soul music in Alabama.

Sound City (imdb | rotten tomatoes) was Dave Grohl’s love letter to the crap studio where many great rock albums — including Nevermind — were recorded.

Gravity (imdb | rotten tomatoes) was all it was hyped up to be: incredibly tense, and a technical marvel. It’s no wonder it won seven Oscars (including best director and best cinematography) Sunday night.

.:.

Cover photo by Ralph Daily, used under Creative Commons license

“If you have a weakness, Las Vegas will punish you.”

Poor Nellie had never been to Vegas. I’d only been twice (which was enough) but she felt like she wanted to visit, so when I was invited to speak at a conference we decided she should just join me after it ended.

I flew down on Sunday for the conference, checking in quite late at the Signature at the MGM Grand. After a little hiccup with the check-in process I was in my room, an oversized suite, and scarfing some late night room service. The conference itself went fine: my brief portion was uneventful and I got to see Breaking Bad‘s Vince Gilligan and Anna Gunn. Then again, I accidentally slept through the Elvis Costello concert, so it was a mixed bag.

Despite being virtually enclosed in the MGM Grand complex, I managed to locate some decent craft beer in my spare time at Michael Mina Pub 1842 and the lounge in my hotel. Before I knew it, though, it was time to check out and take a cab down the street to the Vdara.

Since Nellie had never been to Vegas I wanted a cool new hotel, and Vdara fit the bill. While it’s attached to the Aria, it’s just a hotel with a simple bar and café…no casino, no stores, no massive restaurants. I was given a room on the 52nd (!) floor with an impressive view south, shaky camera and thick glass notwithstanding.

Nellie finally arrived late in the evening, with just enough time to grab a drink downstairs at the lobby bar and then crash. Like, sleep until 10 the next morning crash. After we finally got up we grabbed some lunch next door at Five50, a pizza place just off the Aria casino floor which also happened to have a solid craft beer selection. Damn good pizza, actually.

The big event we’d booked in for that day was a helicopter tour with Maverick. They picked us up from the Aria and from then on ran everything like a machine: dropped us off, checked us in, weighed us (seriously), and introduced us to our pilot and co-passengers (two Canadians, one Aussie). And man…the tour was fantastic. Just lifting off in a helicopter for the first time in our lives was pretty cool, but then ascending above Las Vegas and flying over the surprisingly striking Nevada landscape to the east was killer. Then we crested a hill and the Grand Canyon spread out in front of us and we were hooked. We flew along the canyon for a while, then did a 180 and landed inside the canyon. We got out and had some champagne, enjoying the quiet sunset just above the Colorado River. After a while we flew back, stopping over the Hoover Dam and then downtown Vegas, sidling down the strip at dusk when the lights of the city took over. We disembarked the helicopter feeling like it had been a fantastic adventure indeed.

Our day wasn’t done though: Nellie had asked me to buy tickets for a show called Zombie Burlesque, which was…pretty much what it sounds like. Hey, she likes zombies, and I was pretty sure I’d like burlesque, so…yeah. I bought those tickets. Bought ’em up. There was some brutal line confusion at the theatre just before showtime, but we got in, got a drink, and took our seats. We were braced for something terribly cheesy, but it was actually really fun and funny. Clever, even. Plus, you know, barely-dressed super-hot women. One of them was an excellent singer, and did a rendition of Bjork‘s “It’s Oh So Quiet”, a difficult song to sing even when one is not dressed in lingerie and dancing with male zombies. Not for everyone, but it was pretty cool.

We walked home along the Las Vegas strip amidst the other zombies (see what I did there?) and, when considering where to eat dinner, decided we had a lot more beer to tackle back at Five50. We had a nice little charcuterie board before splitting another pizza, this one with some kick, and a few more tasty beers. After that we didn’t have much left in us but to waddle back to the hotel and fall asleep.

And then…yet another lie-in, spurred on by the rainy (!) weather. ‘Round noon we got ourselves up to find some food, this time at the Todd English P.U.B., tucked between the Aria and the fancy-pants shops of the Crystals at City Center. We, being brave Canadians, sat on the patio despite the cool weather and rain. We ate duck buns and pretzels and a pastrami sandwich and drank excellent beer while beside us people slipped and fell on the wet sidewalk. Among them was one rather well-lubricated gentleman, carrying lord-knows-what in a novelty plastic boot cup; as he slipped near our table he looked up, raised his cup to us and said in what sounded like a Texan accent, “Y’all want some boot?” We declined.

By the way, we stayed dry because of the overhang of the Crystal structure above us. The building was designed by Daniel Libeskind, who Torontonians might recognize as the architect responsible for the addition of the Michael Lee-Chin crystal to the Royal Ontario Museum in 2007. This one seemed better-executed than the ROM’s jagged burst blister. After lunch we made our lone visit to a casino, inhaling more cigarette smoke then we’d normally experience in a year and promptly losing a few hundred dollars on roulette, then walked back to our hotel to get cleaned up for the evening.

While we’ve seen our fair share of Cirque du Soleil shows, we’re not the biggest “show” enthusiasts. Still, we felt it was part of the Vegas experience, so a little poking around some review sites led us to purchase tickets for Le Rêve. And, uh…holy shit. No really, holy shit. We took our seats a few rows back from the pool (it’s all water-based) and waited for it to get going, still not sure what to expect. But man…after the first big sequence I was speechless. Then it just kept going. At least half a dozen times I yelled — yelled — “WHAT?!!?” as one performer or another did something ridiculous or spectacular or both. By the end I was spent. Le Rêve broke my brain. BROKE IT.

So, yeesh. How to recover from that?

Actually, Nellie recovered by discovering the Grand Canal Shoppes at the Palazzo next door (where we had dinner booked) and I had to drag her out of Christian Louboutin and Coach. Between you and me I think the exchange rate is the only thing that averted disaster. We walked back downstairs to our dinner reservation at Carnevino, Mario Batali’s Italian steakhouse.

Now I’ve long contended that Jacobs & Co. right here in Toronto is the best steakhouse I’ve been to, and I’ve been to a few. But our experience at Carnevino might be right up there among the best. After a 3-cheese amuse we inhaled the octopus starter (along with a surprising Pinot Grigio), followed by the lobster anolini (with a glass of Chard/Sauv blend), and then tucked into our steaks: New York strip for me, bone-in Filet Mignon for Nellie. It was one of the best steaks I’ve ever had…no sauces for me, just meat prepared perfectly. Nellie’s cut, while obviously not as flavourable as my own, was almost impossibly tender. We paired these beasts with a 2004 Bartolo Mascarello Barolo – not the varietal we’d normally choose, but when in Rome (or a cheesy facsimile of Venice) you go with the flow. We listened to the White Stripes and Black Keys and ate ourselves stupid, and pencilled the night in among our very favourite meals. Broken, yet again. This time in the stomach. And the wallet; this was officially the most expensive meal we’d ever eaten. Stupid exchange rate.

We asked our cabbie to drop us at the Bellagio because Nellie wanted to see the fountains. Sadly, after waiting there for five minutes, a voice announced there would be no further show that evening. Dejected (not really) we walked home and poured ourselves into bed. We crashed. We were broken.

The next day was a long slog from the bed to packing, interrupted briefly by a truly excellent room service breakfast, to the airport, to one last (terrible) beer in the airport, to the plane, back to Toronto. Correction: back to a snowstorm in Toronto. We got home late, and pretty much died.

Vegas.