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Good lord.

My friend Adam sent me a DVD he made out of some old home video. See, when I was 13 I was in a band. I was the drummer. Our name was Fever Pitch, for chrissakes. We played mostly covers, of crap like April Wine and Kiss, and (apparently; I had forgotten this) some metal stuff like Metallica. I could barely watch it; the music was…not good. My haircut was…worse.

I have no pictures of myself at that age; it was strange to see…me. I was strange. And awkward and shy and not as good a drummer as I thought. But then, I was 13 and still learning to play. God, it was awful and intriguing and horrible and hilarious. It made me cringe and laugh.

I shall now hurl it into the Thunder Pit.

Trent Reznor + Dave Grohl = I may faint…

from Yahoo!: Grohl Drums Up Support for Nine Inch Nails

Tue Jul 13, 1:27 PM ET
By Jonathan Cohen

NEW YORK (Billboard) – Foo Fighters frontman Dave Grohl has logged some time behind the drum kit with Nine Inch Nails, which is recording its first studio album since 1999’s “The Fragile.”

Eagle-eyed fans spotted Grohl on Nine Inch Nails’ in-studio Web cam last week, sitting behind a mixing console. His contributions are expected to appear on the Trent Reznor (news)-led act’s long-awaited new album, “Bleed Through,” due later this year via Interscope.

His presence was also tipped off by members of rock act the Exies, who are recording their next album at the same studio, Sound City Studios in Van Nuys, Calif.

“Last week, we had a great barbecue with Queens Of The Stone Age and this week we come in to see Dave Grohl playing drums for Nine Inch Nails,” the band wrote on its official Web site (http://www.theexies.com). “Is that a trip or what?! I guess Trent Reznor is going for real drums this time around. Good call, I say.”

A Foo Fighters spokesperson did not respond to a request for comment. Grohl rose to fame as the drummer in Nirvana.

An unattributed message on Nine Inch Nails’ official Web site says the band is “about to head back to New Orleans to begin work with (engineer) Alan Moulder. We’re in the midst of a very inspiring recording session that has everyone thrilled. We’re working on a new batch of songs Trent just wrote and we cannot wait for you to hear them.”

“There are lots of surprises in store — wish I could tell you what they are,” the post continues.

“The Fragile” debuted at No. 1 on The Billboard 200 and has sold more than 875,000 copes in the United States, according to Nielsen SoundScan. It was followed in February 2002 by the concert album “And All That Could Have Been, Live.”

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The oldest brother was in town this weekend after a whirlwind tour of eastern Canada. He arrived late Friday night, so we just had a few drinks and then all hit the hay. We still haven’t explained what happened at 6 in the morning: two thunderous explosions just outside our door; we couldn’t see what it was, but it was loud enough to wake us, scare the cats, send birds scattering and create a plume of smoke in the air. We’re blaming it on the empty hole in the ground across the street, which we’ve now named the Thunder Pit.

Saturday was more eventful. We walked down King Street and had some breakfast, then walked a little further to the distillery district. He likes exploring new neighbourhoods, and this one wasn’t really even there when he lived here. We poked around for a bit, checking out the amazing stuff in the Sandra Ainsley Gallery, Brush and Sound Designs. Had we not just stuffed ourselves silly we would’ve stopped at a patio and had a drink. We left there and walked back down the Esplanade, then walked up Yonge a bit to the Irish Embassy (after all, we weren’t going to stay full forever) for a pint.

The Toronto Street Festival is on this weekend, so we poked around the acts a bit on the way back up Yonge. Nothing too impressive. ‘Sides, I was boiling hot and needed a frozen hot chocolate. We relaxed a while at home before going up to Yonge & Eglinton (where we were caught in yet more Street festival crowds) and walking over to 7 Numbers…Mmmmmm, sexy duck. We stuffed ourselves silly, then 4/5 of us went to the Bow & Arrow for a few drinks. When we got home my wife and brother decided to watch Friday The 13th on TV; because I’d gotten up at 7 in the morning to go for a run, I was knackered. I went to sleep.

Today was low-key: no explosions, the most ridiculous movie ever made, brunch at the Duke of York, a bit of frisbee in Ramsden Park, and then my brother had to take off for his flight. My wife and I sat exhausted on the couch and absorbed a few more episodes of Six Feet Under (season 2).

It was good to have him here. Living on opposite sides of the ocean we don’t see each other that much, but I think we were at least able to give him some relaxation (and good food!) at the end of his long trip.

Rage on, ThunderPit. Rage on.

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Considering I used to live not 5 minutes away from the Corner House, it seems odd that I’d never eaten there. But leave it to Summerlicious to get my ass out to the obvious places.

I trekked there with T-Bone, DJ Duarte and Tony T for today, and had a spiffy lunch. Carrot & ginger soup, cornish hen and chocolate tart with a blueberry compote. All were quite good (as were the courses everyone else got), and well worth the price. With no drinks (I still have to work this afternoon, you understand) it wasn’t much more than I’d spend on Indian lunch buffet.

And then, as if we needed more decadence, we stopped at JS Bonbons on the way home. Mmmmmm…chai tea…

3 down, 1 to go. Bymark is up next.

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Pleasant surprise: I went down to the Ministry Of Transportation office today at lunch. I figured that if I was lucky it would be 20 minutes to walk down, an hour waiting in line, 5 minutes renewing my license and 5 minutes to take the subway back, making for a 1.5 hour lunch. So I was shocked and awed when the renewal only took 2 to3 minutes. No foolin’! There was no lineup, she punched the form, ran my credit card through, got me to sign 3 things, told me to stand against the white wall and wait for the flash. I did, she handed my my temporary license and I was on my way. I had so much time left that I walked back.

It took me longer to order a chicken sandwich from Wendy’s than to renew my driver’s license. Who says a Liberal government is always inefficient??!?

Please please please please please please please…

From NME

THE DARKNESS’ FRANKIE POULLAIN has admitted the group get “sick to the back teeth of each other”.

The band, who have spent some of this year working on their second album, will headline this weekend’s T In The Park and Oxegen festivals.

Frankie told Radio 1 that the band’s time together doesn’t come without its troubles.

He said: “There could be some cracks appearing, but without the friction there is no spark. You can’t create a spark without friction.

“The thing is you sacrifice, you bite your lip for the common good, the more noble goal, and that’s what we’re all focused on. So we’re all focused on the same objective. Okay yeah, of course there’s fights and everything. We get sick to the back teeth of each other.”

He added: “We all have our little faults. Justin is trumping all the time, or farting, or whatever you call it in this country. Ed whinges all the time. I’m perhaps a little too cynical for my own good. Dan is a bit of a martyr. But that’s what creates the band, it’s the chemistry, so I think it’s a good thing.”

lo-fi

I was playing Damien Jurado‘s latest Where Shall You Take Me? for t-bone before we left for dinner last night, and she quite liked it. I explained to her that this album was to Damien Jurado what Nebraska was to Bruce Springsteen, quiet and beautiful. She claimed to hate The Boss – for which, apart from 2 albums, I can’t blame her – but when I played Nebraska for her she seemed to at least tolerate it.

If you haven’t heard either album, go have a listen. Especially Nebraska; it’s so bleak and hopeful at the same time. The tiny bit of optimism, of something good coming through mirrored his own career; apart from the crap he put out for most of his career, Bruce managed to quietly slide out a masterpiece.

And from the "no shit" file…

from Globetechnology
Music industry study decries downloads
By JACK KAPICA

The battle over whether downloading free songs from the Internet is hurting the music industry continued Tuesday, with the release of another survey showing that the practice is discouraging music sales.

Almost 30 per cent of those who responded to a survey conducted by Toronto-based market-research company Pollara Inc. said downloading, file sharing and burning were the main reasons that their purchases had declined.

Conversely, Pollara reported that 52 per cent of music “consumers” who don’t download had purchased music in the past month.

Only 35 per cent of those who were active downloaders had purchased music in the month prior to the survey.

The survey was commissioned by the Canadian Recording Industry Association, which has been claiming for several years that trading music files on-line has been hurting sales.

The survey “negates arguments to the contrary that peer-to-peer activity is just sampling and those people go out and buy the music later from a legitimate source,” CRIA president Brian Robertson said in a statement.

CRIA blamed the hardware that makes compact disks — CD burners — and the file-sharing network Kazaa for lost sales. Mr. Robertson said that the use of CD burners to copy music has grown from 18 per cent in late 2001 to 35 per cent today.

Almost half of the survey respondents who download free music told Pollara that all of the music they burned to CD came from file sharing networks like Kazaa.

The Pollara study also says that the number of people who admitted using Kazaa in the previous month had more than tripled, from 8 per cent to 26 per cent, and that they typically download between 20 and 100 songs a month.

Taken at face value, Pollara states, this amounts to an average of 180-million tracks per month.

CRIA estimates its retail sales losses at more than $465-million since 1999, as well as industry layoffs of more than 25 per cent throughout the past year.

Mr. Robertson said this spells doom for the music industry.

“It is unlikely that the music industry can continue to develop new artists and promote established artists, if these activities persist,” he said. “Canada’s artists and producers must be protected in the digital environment and in order to do so, swift reform to chronically outdated copyright law is absolutely imperative.”

Two recent court cases have increased the rift between the music industry and music buyers.

In March, the Federal Court of Canada ruled that the downloading described in the survey is lawful for Canadians who download for personal, non-commercial purposes and burn music on to CDs. The court reasoned that Canadians are already paying for their music through a levy placed on blank CDs, a levy that the music industry demanded the government institute.

The copyright board of Canada, which administers the act, agreed with the court, and went further to say that it has already recognized the increased downloading and burning activity by expanding the scope of the levy.

The ruling was a blow to CRIA, which had been seeking to identify 29 people, who allowed their music files to be copied by other Internet users, to prosecute them under the Copyright Act.

Last week, the Supreme Court ruled that Internet service providers who supplied the network along which music files were transferred were not legally liable for how their subscribers used the Internet.

The suit had been brought by the Society of Canadian Composers, Authors and Music Publishers (SOCAN). Although SOCAN lost the case, CRIA lawyer Richard Pfohl issued a statement praising the decision because it “confirms that music rights holders in Canada need to be paid for music transmitted on the Internet from outside the country and calls for modernization of Canada’s antiquated Copyright Act.”

CRIA had intervened in the case on the issue of internationally transmitted music.

The current Pollara study surveyed 1,200 people 12 years of age and older by telephone between March 12 and April 5. The survey has a margin of error of 2.5 per cent, 95 out of 100 times.

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Just finished dinner at Verveine with my wife, t-bone and sugar shaddick. Not bad, not bad. Not as good as Crush, but I think it could be, in a non-Summerlicious capacity.

The cold pea puree: not stellar. The duck: very good. The dessert: basically a giant peanut butter cup. The ladies seemed to enjoy theirs. Port, merlot, coffee & Oban to finish up.

On another note, it’s been a long time since I’ve seen the afore-mentioned shaddick, and I talked to her more tonight than I ever had before. It’s easy to see why t-bone and stanzi are good friends with her. She’s good people.

A good night with good company. I need more nights like this.