All shows must die

More than eight years ago, when brother #2 was visiting, he saw an ad for a new HBO show that got him really excited. It was a TV version of a book series he’d been reading for years, but I’d never heard of. The book series was called A Song Of Ice And Fire. The TV show would be called Game Of Thrones.

It quickly became my favourite show. Not the best, mind you — it was always only high-production-value fantasy escapism — but my favourite. I’d anxiously await new episodes, re-watch every new episode the next day, and consume reviews, critiques, and podcasts about it. I ended up reading the books, and — once the show caught up and passed the books, and diverged from them to a yet-unknown degree — felt the same mild thrill of discovery as everyone else watching.

It ended last night, obviously, with more of a whimper than a bang. The last two seasons, as have been well-documented, felt rushed and absurd, given neither the room to breathe nor the grounding in brute reality afforded the earlier seasons. I still felt compelled to watch, and was engrossed in every second, but it didn’t resonate with me, didn’t affect me the next day. No character was developed in these final two seasons, and ultimately the characters were what drew me in.

That said, if they decide to make a spin-off series about Robert’s Rebellion, I’m cancelling all of my Sunday night plans for three months.

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